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Cat # 027 "Male Nude Study" Sanguine on aged archival vellum paper 216 gsm 320 x 260 mm AUD$ 100 unframed Sanguine is a red pigment used a lot in the renaissance, it is compressed into a stick form or block and handles a lot like charcoal. One can achieve heavy definitive line or a soft edge within the same sketch. It is extremely responsive and can convey confidence from the hand. |
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Cat # 060 "Male Nude Flexing Study" Charcoal on aged archival vellum paper 216 gsm 480 x 320 mm AUD$ 100 Unframed |
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Cat # 047 "Seated Male Figure " Monotint, Pen and Ink wash on aged archival vellum paper 216 gsm 320 x 240 mm AUD$ 100 Unframed
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Cat # 064 "Figure Movement Studies " Sanguine on aged archival vellum paper 216 gsm 480 x 320 mm AUD$ 100 Unframed |
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Cat # 050 "Male Figure Reclined Study" Sanguine and wash on aged archival vellum paper 216 gsm 480 x 320 mm AUD$ 120 Unframed |
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Cat # 030 "Male Nude Torso " Monotint in Bistre and Sanguine number 4 of 7 Paper 216 gsm 230 x 150 mm actual monotint size overall paper size 320 x 240 mm AUD$ 75 Unframed This one has a lovely grain almost like an etching with suptle grey bister and sanguine colours. Each one is individual and unique as they all come off the plate with different nuances. These have sold for over $500 when framed. |
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Cat # 033 "Male Nude Torso " Monotint in Bistre number 3 of 10 Paper 216 gsm 200 x 150 mm AUD$ 50 Unframed The picture here does not really do justice to the subtleties and form of the work. |
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Cat # 052 "Male Model Resting " Sanguine with shellac wash on archival vellum paper 216 gsm 240 x 320 mm AUD$ 120 Unframed |
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